I initially planned to ignore this issue of Otakon and just let things move forward, but it is becoming a problem of people spreading lies and rumors and not actually knowing what happened at the convention. Since I was actually there and this is all about me, I think it's only fair that I get to tell you what really happened.
First of all, there's a bit of confusion about the rules of artist's alley. Otakon's rules state that artist's are allowed to sign up for up to four tables, which is the number that I signed up for. There were several reports that I had 14, 16 or more tables, and that there were duplicates of all my prints being sold everywhere in the artist's alley. As a result, I was called out on Friday to speak with a lawyer at the convention since I was obviously not allowed to have more tables than my four. Several other artists including my girlfriend were mixed into the issue and also questioned, but the lawyer and the entire artist's alley staff went through everything we were selling on all the tables for several hours and determined that there were no duplicates, we were all separate artists and that none of what were doing was against the rules of the convention.
Now I understand that you may be thinking that 4 tables or 14 are all the same, and either way it was selfish and unfair for me to stop other artists from having a chance to sell. In reality, there were about 15 unused tables at the convention because they added several extra islands and many tables throughout the artist's alley hall, so even people who were not on the waitlist at all but tried to get tables at the convention itself were able to. In fact, the staff made it very clear that there were still tables available at the convention itself, and I actually have a friend that I was planning to share with who managed to get tables for herself at the convention so I know that what I'm saying is true. Also, there's a weird rumor that I tried to pay off people $200 for their tables, which makes no sense at all because I got my tables in the first registration wave and didn't need any more.
A third thing that I wanted to talk about is the fact that people keep saying that I have illegally signed up for extra tables at conventions in the past. The most frequent report I've seen is Sakuracon, which is extremely silly to me because I actually had just one table at that convention. It is very easy for new rumors to start to circulate once someone comes up with an accusation, and people just jump on the bandwagon, but I can assure you that I've stayed within the rules at the conventions that I've attended and only signed up for tables that I'm allowed to have. It's frustrating to me that people assume that anyone with a similar style is automatically me, especially when I feel that the styles are not actually that similar and if you took a minute to look at the pictures you'd realize it. I feel that my pictures are very easily distinguishable from those of others. In fact, people quite often complain that all my faces/pictures look exactly the same. So if you just take a second to look through my art and compare it to other artists with a similar style, you'll be able to notice differences that distinguish my pictures from theirs.
On the note of my pictures, I wanted to address one more point, which is the fact that people seem to love labeling my artwork as "mass produced shit shiny desu art" or the like. I'm not going to try to argue that my pictures are better than anyone else's. But don't tell me that I don't work damn hard on my work when you don't actually know. For three weeks before the convention, I was drawing for just under 16 hours a day. Not because I was trying to mass produce shit artwork, but because I wanted to finish new prints for the convention. Some people come to me at each convention and expect new artwork, and I love doing it. I spent over 20 hours each on my new pieces, some of them much more than that, because I care about my artwork and wanted it to be as good as it can be. I have my limitations, I know that there are many clear weaknesses in my artwork, but that doesn't mean that I don't try. Also, the term "dodge/burn art" that people are using to classify my pictures is amusing to me, considering that I exclusively use a simple round brush to paint. Dodge and burn tools give very distinct color combinations that are not visible in my pictures at all.
If you have any doubts about me as an artist or anything else, I'll be at AWA with
one table, you can visit me there and I'll be glad to talk to you.
By the way, on a separate note, thanks so much to everyone who came to my table and supported me at Otakon, I loved meeting you all and you made the convention a lot of fun for me despite all the issues that happened
